‘We made bloodied ripped up telegrams, pastry boxes, books of poetry, maps, character passports, patterns for carpets, all the signage you see in the film, banknotes, flags, a police report with Jeff Goldblum’s fingerprints on it… so many different things, and from three different time periods, too.’
Welsh-born, Dublin-based designer Annie Atkins specialising in graphics for filmmaking (including Wes Anderson’s Grand Budapest Hotel) – in conversation with actor and director Hugh O’Conor.
Props from the film will be on display.